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The new film 'Train Dreams' is almost unbearably beautiful

SCOTT DETROW, HOST:

One of the biggest movie sales at this year's Sundance film festival was for a meditative drama set in the Pacific Northwest. Critic Bob Mondello says the movie "Train Dreams," which opens this weekend, surrounds its stars with a wilderness that feels as big as all outdoors.

BOB MONDELLO, BYLINE: If there were any doubt that the landscape would be a major character in Clint Bentley's gorgeous historical drama, it's dispelled just a few seconds in. We're in a forest, the camera looking upward from the trunk of a centuries-old cypress tree, its branches seemingly interlaced with the trees around it in a picture of natural harmony. Then all those other trees seem to move, and the angle starts to shift, and it becomes clear we're witnessing a majestic finale, seeing the tree fall from the tree's point of view.

(SOUNDBITE OF TREE FALLING)

MONDELLO: It is the early 20th century, an age of steam locomotives and westward expansion, of manual labor and the workers who tamed a wilderness to build a country. Robert Grainier is an unremarkable day worker in his 30s, played by a heavily bearded Joel Edgerton. He's haunted both by the glorious woodlands he's working in and by some terrible things he's witnessed there - a Chinese worker thrown off a railroad bridge he was helping to build just for being Chinese.

(SOUNDBITE OF FILM, "TRAIN DREAMS")

JOEL EDGERTON: (As Robert Grainier) What's he done?

(CROSSTALK)

MONDELLO: But Robert mostly keeps to himself without much direction or purpose, as Will Patton intones in voiceover, until he meets Gladys Oakley at a church service.

(SOUNDBITE OF FILM, "TRAIN DREAMS")

WILL PATTON: (As narrator) Gladys introduced herself, as if women did things like that every day.

FELICITY JONES: (As Gladys Oakley) Hello.

PATTON: (As narrator) And maybe they did.

EDGERTON: (As Robert Grainier) Hello.

JONES: (As Gladys Oakley) I haven't seen you here before.

EDGERTON: (As Robert Grainier) Oh, no. I've never - my...

JONES: (As Gladys Oakley) First time?

EDGERTON: (As Robert Grainier) My cousin - yeah - brought me. Well, his wife is very much - I'm Robert.

JONES: (As Gladys Oakley) I'm Gladys.

MONDELLO: Three months later, they're talking marriage and, just steps from a river filled with fish, using stones to mark where the walls will go in a house they'll build themselves.

(SOUNDBITE OF FILM, "TRAIN DREAMS")

EDGERTON: (As Robert Grainier) The bed right here.

JONES: (As Gladys Oakley) Facing here. And...

EDGERTON: (As Robert Grainier) Window?

JONES: (As Gladys Oakley) Yeah, here.

MONDELLO: Felicity Jones makes Gladys a resourceful, practical wife and mom of a daughter Robert seldom sees, since he's forever off working to support the family - working for railway lines and lumber companies with folks like a yammering old-timer played by William H Macy.

(SOUNDBITE OF FILM, "TRAIN DREAMS")

WILLIAM H MACY: (As Arn Peeples) I worked on a peak outside of Bisbee, Arizona, where we was only 11,12 miles from the sun, 116 degrees on the thermometer, and every degree was a foot long. And that was in the shade, and there weren't no shade.

MONDELLO: Robert is largely an observer in a life he doesn't examine too closely, a working stiff who watches the world change around him, the sounds of axes, cross-cut saws and all night conversations giving way to clear-cutting and new mechanical sounds...

(SOUNDBITE OF MACHINERY REVVING)

MONDELLO: ...Also to bewildering events - a great comet streaking the night sky, natural disasters, heartbreak and unspeakable tragedy that is somehow just a waystation in a tale spanning decades with Terrance Malick-like visuals.

(SOUNDBITE OF FILM, "TRAIN DREAMS")

MACY: (As Arn Peeples) Beautiful, ain't it? It's beautiful.

EDGERTON: (As Robert Grainier) What is, Arn?

MACY: (As Arn Peeples) All of it. Every bit of it.

MONDELLO: Filmmaker Bentley has crafted "Train Dreams" as a kind of cinematic poetry, the American dream experienced by unsung working folk a century ago - heartfelt, wrenching and, yes, almost unbearably beautiful. I'm Bob Mondello.

(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.

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Bob Mondello
Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.