In the credits for 'Renaissance: A Film By Beyoncé' the Queen Bee makes it clear who is in charge. Written by? Beyoncé. Directed by? Beyoncé. Produced by? Beyoncé. And of course, starring...Beyoncé. For someone who is so in control of their own image, what is spoken and what is unspoken are equally loud.In this episode, Brittany and B.A. Parker, co-host of NPR's Code Switch, get into key takeaways from the film and why people are calling on her to speak directly to today's politics.

This week, Brittany chats with New Yorker television critic Inkoo Kang about Showtime's historical romance, Fellow Travelers. The show follows the lives and love of two closeted men - Hawk and Tim. It starts in 1950s Washington DC, at the height of McCarthyism and the lavender scare and continues through the AIDS crisis in the 1980s. Brittany and Inkoo discuss how the politics of the time shape the characters and how survival isn't always pretty.Then, we switch gears and meet an artist that's been bringing Brittany joy in the cold winter months. Singer-songwriter Olivia Dean joins the show to talk her debut album, Messy, and gives IBAM an unforgettable live performance from her catalog.

This week we're bringing you a special episode from the Embedded series 'All the Only Ones.' The series looks at the history of trans youth next to the realities experienced by trans youth today. In this episode, we meet Parker, a senior in high school in Columbus, Ohio. Parker is a top field hockey athlete, but as a trans person, he is faced with making a difficult decision: either pursuing his dreams as a D1 trans field hockey player in college next year, or pursuing his dreams of starting hormone replacement therapy, which could get him banned from playing. We also meet two historical trans youth of the 1960s, Vicky and Donna, both facing barriers to getting the care and treatment they need after repeatedly looking for help.

Disney recently celebrated its 100th birthday, so we're exploring a fandom that's kept the magic alive while also generating lots of online hate: Disney Adults. To break the phenomenon down, Brittany Luse chats with Rolling Stone senior writer and self-proclaimed Disney Adult, E.J. Dickson. Their conversation looks at the rise of Disney Adults, why they're so maligned and what the public may misunderstand about these superfans.Then, in honor of Trans Day of Remembrance, Brittany talks with influential Black trans activist Raquel Willis. They get into her new memoir, The Risk It Takes to Bloom, which looks at pivotal moments in her organizing journey alongside the movement for Black Lives and the rise of trans visibility in modern culture.

For the millions of Americans that celebrate Thanksgiving, it's a time when a lot of us reflect on the things and the people in our lives that we appreciate. But according to Dr. Laurie Santos, psychology professor at Yale and host of the podcast, The Happiness Lab, a practice of gratitude can improve our lives year-round. Host Brittany Luse chats with Dr. Santos about the surprising science of how gratitude can affect our brains — and how it leads us to be more generous with our future selves.

As many male rappers seem to become more depressed or vindictive in their lyrics, the women of rap appear to be having all the fun. One show that captures this moment is Rap Sh!t on Max. Brittany sits down with the showrunner and writer, Syreeta Singleton. They discuss the complexities of navigating the rap game as a Black woman, the new social media landscape, and how rap and Rap Sh!t approach sexuality. Then, a conversation with Andre 3000. After 17 years, the rapper, producer, and instrumentalist is back with a new album, New Blue Sun. Notably, this album has no rapping and focuses on the artists passion for the flute. In honor of the occasion, host Brittany Luse passes the mic to NPR colleague and host, Rodney Carmichael. In this excerpt of their hour long interview, Rodney and Andre retrace the artist's journey from rapper to flautist, the beauty of aging, and why there should be more celebration in death.

Martin Scorsese's Killers of the Flower Moon is everything an Oscar contender might be - long, epic, morally complicated and expensive. Yet, while many movie-goers left theaters moved, others called the film a problematic disaster. Today on the show, we hear what the movie got wrong and how it fits into a broader history of Native Americans on screen. To unpack this, Brittany Luse is joined by Robert Warrior, a literature and professor and an Osage Nation citizen, Liza Black, a Native American and Indigenous Studies professor and Cherokee Nation citizen, and Nancy Marie Mithlo, a gender studies professor and Fort Sill Chiricahua Warm Springs Apache citizen.

The season of the celebrity memoir is upon us. In just the past few months Britney Spears, Jada Pinkett Smith, Kerry Washington, and more have showered us with bombshells and revelations about their origin stories and private lives. Despite those heavy hitters and the crowded field they occupy, the celebrity memoir our host Brittany Luse coveted most is that of the singular Ms. Barbra Streisand. Brittany sits down with Barbra to talk about her new memoir, My Name is Barbra, her struggle to take creative control of her work, and what legacy she wants to leave behind.

The restaurant industry has been making headlines lately. Fine dining heavyweights are shuttering: Noma announced it would be closing in 2024 and NYC staple Momofuku Ko closed this past weekend. Then, there's the unintentional chaos caused by a popular Tiktok food critic, whose visit to Atlanta was so profound that it drowned out the debut of the city's first ever Michelin Guide. After seeing all of this, host Brittany Luse wants to know: What's up with restaurants these days? To answer that question, she sits down with writer and Eater correspondent Jaya Saxena to get the lowdown on the most recent food news and the trends that tell us about both our interests and our economy.

The Gilded Age delighted audiences with its lavish sets, decadent costumes and social sniping when it debuted. Lucky for us, the period drama just returned to HBO Max with a second season. But if we look a little closer at the show, it reveals what we truly want out of period pieces: to remake the past with our modern sensibilities and values. As Brandon Taylor wrote in his essay called "morgan spector pls break me in half," The Gilded Age engenders "self-delusion" about our history – because to reflect our past more accurately, would be "too horrifying" for a somewhat soapy show. Brittany Luse sits down with Brandon to discuss sentimentality, why we're particularly drawn to this era now and how it's portrayal could be done better.